Quotations from On the Genealogy of Morals dealing with ressentiment, Aryans, and J/ews:
The slave revolt in morality begins when ressentiment itself becomes creative and gives birth to values: the ressentiment of natures that are denied the true reaction, that of deeds, and compensate themselves with an imaginary revenge. While every noble morality develops from a triumphant affirmation of itself, slave morality from the outset says No to what is "outside," what is "different," what is "not itself"; and this No is its creative deed. This inversion of the value-positing eye—this need to direct one's view outward instead of back to oneself—is of the essence of ressentiment; in order to exist, slave morality always first needs a hostile external world; it needs, physiologically speaking, external stimuli in order to act at all—its action is fundamentally reaction.
A race of such men of ressentiment is bound to become eventually cleverer than any noble race; it will also honor cleverness to a far greater degree: namely, as a condition of existence of the first importance; while with nobler men cleverness can easily acquire a subtle flavor of luxury and subtlety—for here it is far less essential than the perfect functioning of the regulating unconscious instincts or even that a certain imprudence, perhaps a bold recklessness whether in the face of danger or of the enemy, or that enthusiastic impulsiveness in anger, love, reverence, gratitude, and revenge by which noble souls have at all times recognized one another.
one should ask rather precisely who is "evil" in the sense of the morality of ressentiment. The answer, in all strictness, is: precisely the "good man" of the other morality, precisely the noble, powerful man, the ruler, but dyed in another color, interpreted in another fashion, seen in another way by the venomous eye of ressentiment.
...See full post>Supposing that what is at any rate believed to be the "truth" really is true, and the meaning of all culture is the reduction of the beast of prey "man" to a tame and civilized animal, a domestic animal, then one would undoubtedly have to regard all those instincts of reaction and ressentiment through whose aid the noble races and their ideals were finally confounded and overthrown as the actual instruments of culture; which is not to say that the bearers of these instincts themselves represent culture. Rather is the reverse not merely probable—no! today it is palpable! These bearers of the oppressive instincts that thirst for reprisal, the descendants of every kind of European and non-European slavery, and especially of the entire pre-Aryan populace—they represent the regression of mankind!
Supposing that what is at any rate believed to be the "truth" really is true, and the meaning of all culture is the reduction of the beast of prey "man" to a tame and civilized animal, a domestic animal, then one would undoubtedly have to regard all those instincts of reaction and ressentiment through whose aid the noble races and their ideals were finally confounded and overthrown as the actual instruments of culture; which is not to say that the bearers of these instincts themselves represent culture. Rather is the reverse not merely probable—no! today it is palpable! These bearers of the oppressive instincts that thirst for reprisal, the descendants of every kind of European and non-European slavery, and especially of the entire pre-Aryan populace—they represent the regression of mankind!
For the Romans were the strong and noble, and nobody stronger and nobler has yet existed on earth or ever been dreamed of: every remnant of them, every inscription gives delight, if only one divines what it was that was there at work. The J/ews, on the contrary, were the priestly nation of ressentiment par excellence
There was, to be sure, in the Renaissance an uncanny and glittering reawakening of the classical ideal, of the noble mode of evaluating all things; Rome itself, oppressed by the new superimposed Judaized Rome that presented the aspect of an ecumenical synagogue and was called the "church," stir/red like one awakened from seeming death: but Judea immediately triumphed again, thanks to that thoroughly plebeian (German and English) ressentiment movement called the Reformation, and to that which was bound to arise from it, the restoration of the church—the restoration too of the ancient sepulchral repose of classical Rome.
With the French Revolution, Judea once again triumphed over the classical ideal, and this time in an even more profound and decisive sense: the last political noblesse in Europe, that of the French seventeenth and eighteenth century, collapsed beneath the popular instincts of ressentiment—greater rejoicing, more uproarious enthusiasm had never been heard on earth! To be sure, in the midst of it there occur/red the most tremendous, the most unexpected thing: the ideal of antiquity itself stepped incarnate and in unheard-of splendor before the eyes and conscience of mankind—and once again, in opposition to the mendacious slogan of ressentiment, "supreme rights of the majority," in opposition to the will to the lowering, the abasement, the leveling and the decline and twilight of mankind, there sounder stronger, simpler, and more insistently than ever the ter/rible and rapturous counterslogan "supreme rights of the few"! Like a last signpost to the other path, Napoleon appeared, the most isolated and late-born man there has ever been, and in him the problem of the noble ideal as such made flesh—one might well ponder what kind of problem it is: Napoleon, this synthesis of the inhuman and superhuman.